Prof. Peter Ablinger in Focus, March 2016

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The first five months of 2016 sees Prof. Peter Ablinger’s music featured in eight countries by some of the world’s leading performers, as well as presentations at international conferences, and a new single-artist CD. With some twenty-five major performances scheduled to May alone, drawing up even a shortlist of highlights from Prof. Ablinger’s activity is difficult. So far this year, he been the subject of an Icelandic portrait concert of five specially selected works and delivered guest lectures at the Institute of Sonology in The Hague and the Institut für Elektronische Musik und Akustik (IEM), Graz, as well as receiving other performances in a diverse array of artistic centres ranging from Helsinki to Hồ Chí Minh City.

Upcoming events of note:

Reykjavik Tectonics Festival (April 14-15) will present Ablinger’s chamber works alongside a performance of his recent Quartz for high orchestra (2015) by the Iceland Symphony under the baton of Ilan Volkov, who conducted the BBC Scottish Symphony Orchestra for the premiere of the work in Glasgow last year. At the end of the month, Ablinger’s second festival feature takes place at Festival Mixtur in Barcelona (April 21 – May 1) where he will lead a composition workshop. The festival programme includes his acclaimed Voices and Piano (begun 1998 and ongoing) performed by Lluisa Espigolé, who will also premiere Ablinger’s new solo piano work Antoni Tapies (2016).

Ablinger was able to share the technology and concepts explored in Voices and Piano earlier this year in Huddersfield, bringing RHEA, the computer-controlled piano he designed in collaboration with Prof. Winfried Ritsch (Institut für Elektronische Musik und Akustik, Graz) for a week-long workshop with students. The project is documented by filmmaker Angela Guyton in the video below.

Ablinger’s third festival feature takes place at the end of May (20-22) at the Tage Neue Musik Graz, in Austria. The programme includes his Second String Quartet (2009/13) with video installation, and surround presentations of three pieces for computer-controlled piano, Quadraturen IIIf (2006), Quadraturen IIIg (2006), and Quadraturen IIIh (2009).

The violinist and member of the influential Wandelweiser Collective, Johnny Chang, also recently released Ablinger’s disc-length work, AUGMENTED STUDY for 16 violins on the Sacred Realism label (SR006). Click here for purchase info.

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